Parade is sympathetic to mothers, though acknowledges their hard work without falling into the trap of venerating motherhood as inherently heroic.

Disordered Attention posits that our phones have become a kind of "prosthesis for viewing" art.

The book is a history of dispossession and cultural production that have molded our evolving media landscape.

Kaelen Wilson-Goldie's new book, "Beautiful, Gruesome, and True" considers how art may operate as a proxy for political discourse in places where free speech has been suppressed.

In a long-awaited monograph, art historian Benjamin H.D. Buchloh reckons with the work of Gerhard Richter.

A new theoretical text convincingly argues that orange is the new red, white, and blue.

The mediocrity of Kafka's previously unpublished drawings, collected in a new volume, throws the brilliance of his novels and stories into sharp relief.

In his artwork—currently on view in "Greater New York" at MoMA PS1—and his criticism, Stanley Wolukau-Wanambwa is concerned with the hidden relationships between images and ideology.

In a new collection of essays, Gary Indiana savages American culture and politics.

A new book details how the repatriation debates got their start in postcolonial Africa.