Jackson Arn

A veteran of "Art in America," the "Village Voice," and, most notably, the "New Yorker, Peter Schjeldahl leaves behind a legacy of beautifully chiseled prose.

From sweeping natural vistas to urban sprawl to hints of government secrecy, Southwestern aerial photography exposes the region's social terrain.

Art historian and wordsmith T.J. Clark ponders the limitations of language in writing about art.

For five centuries, artist biographers have sought to explain how creativity emerges from everyday life.

The mediocrity of Kafka's previously unpublished drawings, collected in a new volume, throws the brilliance of his novels and stories into sharp relief.

The range of paintings on view showcased Tanning's strengths as a colorist as well as her more muddled efforts.

Although they might seem like dead ends, Rochelle Feinstein's paintings are so steeped in American culture that they emit potent critiques.

A road trip leads to seeing the US highway system as the country's most spectacular postwar work of art.

Alice Trumbull Mason, under-recognized during her lifetime, melded rhythmic forms into subtly masterful paintings in acidic and earthy hues.

If we opt out of seeing cars in Chamberlain's crushed car sculptures, what else can we see?