Museums are locked down. Galleries are shuttered. The art world we return to—if there is one to return to at all—will be formed in this moment.

Private markets and philanthropy will be changed on the other side of this pandemic, so it is time once again to envision what art looks like as a public good.

A week ago, the draft of a provocative new executive order was leaked to the media—a putative fatwa on modern design, proposing that all future federal buildings be constructed in "classical and…

Describe what you see: it’s a somewhat straightforward request that has opened up complicated debates about access, labor, and description practices in the art world and beyond.

"Deploy or Die!" was Joi Ito's famous slogan for the Media Lab at the Massachusetts Institute of Technology. Go to war—meaning, in this case, find a practical (and profitable) application for your…

The successful campaign by New Museum employees to affiliate with Local 2110 is but one in a bevy of recent efforts on the part of highly educated, skilled workers to form collective bargaining units…

There was a time when the principle of returning to African countries art and artifacts removed under colonial rule seemed on its way to becoming an international norm.

Jenny Holzer sought to counter the abuse of power; Donald Trump seeks to perpetuate it.

The history of copyright shows that a technological fix is not as effective as a social or juridical one.

Deepfakes have rightly inspired fear and handwringing, but they may also force a broad public engagement with questions about the nature of images.