Faye Hirsch

Kollwitz's retrospective at the Museum of Modern Art is on view through July 20.

The critic Félix Fénéon, a man of fashion and radical politics, helped birth modernism in turn-of-the-century Paris.

After thirty years of exhibiting her work, language has failed Suzanne McClelland. Or, more accurately, she has failed language, having banished text from her latest series of paintings, "Mute"…

Angela Dufresne is perhaps best known as an allegorist, producing raucous, color-charged paintings in which quotations from cinema and art history jostle each other.

The Aldrich Contemporary Art Museum's focused, handsomely installed retrospective of Harmony Hammond's work offers something of a corrective to perceptions of her career, which have often been…

Sheila Pepe is a maker, as she herself puts it, but the things she makes are frequently unmade. The ephemerality and shape-shifting propensities of her art may be one reason her thirty-year career is…

The twenty-one mixed-medium paintings in Didier William's two-venue exhibition—the most ambitious showing of his work to date—were primarily large, more than seven feet long or tall in some cases…

Murphy suggests the material world's many instabilities even as she seduces us with that world's concreteness.

Having emerged in the 1990s among a group of artists (Nicole Eisenman, Lisa Yuskavage, Ann Agee) unafraid of pressing historical styles to contemporary purpose, Walker understands the many ways the pa…

It's not easy to convey humor through the modernist grid, but Rochelle Feinstein finds the format—along with painted texts, stock photographs, and videos—surprisingly congenial for satirizing the art…