Philadelphia-based Virgil Marti titled his first solo show at Locks after Forest Park, in his native St. Louis. 

This exhibition by Korean artist Yeesookyung (b. 1963) was her first solo in North America in nearly 20 years. It overlapped with the Philadelphia Museum of Art's "Treasures from Korea," a wide-rangin…

New York-based Demetrius Oliver's exhibition "Canicular," which consisted of five newly commissioned installations and a single 2013 photograph, brought together two seemingly disparate subjects: the…

The Philadelphia Museum exhibition "Photo-Centric" imagines Michael Snow's long-standing photographic practice as Wavelength's final image: central from the outset, but persistently neglected until…

Sarah McEneaney's exhibition "Trestletown," titled after her neighborhood in the Callowhill district of Philadelphia, just northeast of City Hall, featured 14 paintings that highlight her passion…

Reassembling the tangled installations that Jason Rhoades (1965-2006) left behind is a daunting task; the four works on display at the ICA's Rhoades exhibition are complex and sprawling in composition…

From intense violet to black, Barbara Bullock has spent a career balancing vibrant colors with darker hues. She uses black liberally to make her painted collage constructions.

In this exhibition, titled "But Not As Much As Tomorrow," Shelley Spector conveyed her anxiety about 21st-century human consumption and waste. The works on view-14 mixed-medium sculptures, two fabri…

"Fate and Transport" was the apt title of Sarah McCoubrey's recent exhibition at Locks. The 25 paintings, mixed-medium digital prints and drawings on view (all 2012) reflect the state and possible f…

If Bruce Nauman “owns” water, as Hennessy Youngman opines in one episode of his YouTube series, “Art Thoughtz,” then Youngman’s creator, Jayson Musson, “owns” Coogi-brand sweaters, a hitherto unexpl…