Hannah Stamler

History abounds with collaborations and cross-currents between artists and publishers of children's books.

Bucking gendered limitations and representations, women artists in 1920 Paris celebrated the "new woman" and hoped for societal change after WW1.

Depicting herself in an unsettled pose and cropped composition, Joan Semmel captures the process of appreciating a vulnerable body.

Henni Alftan's paintings lavish attention on transitional moments, elevating emotions like expectation and monotony.

Andy Sweet's photographs of a 1970s sleepaway camp offer a glimpse at suspended summertime rituals.

In the popular imagination, home movies are rather like opinions: everyone has them and they are usually lousy. Such films conjure a series of unflattering associations, from the embarrassing footage