Features Native Song: Marie Watt’s Communal Incantations in Fabric The Seneca artist incorporates both Native American oral tradition and contemporary references into her additive textile works. By Glenn Adamson Nov 3, 2021 9:00 am
Features Am I Blue?: Woody De Othello’s Ceramic Sculptures Give Funk Art a Musical Twist The Oakland artist's bright convoluted forms convey both formal verve and a deep sense of history and grief. By Glenn Adamson Sep 27, 2021 5:13 pm
News Pioneering Crafts Collector Sandy Grotta Dies at Age 87 The interior designer and Museum of Arts and Design trustee treated craft objects as art to live with. By Glenn Adamson Sep 8, 2021 4:31 pm
Features Puzzles and Promises Tania Pérez Córdova's enigmatic sculptures are a response to the materials and circumstances of their own making. By Glenn Adamson Apr 12, 2021 11:00 am
Features Message to Self: Only Connect Working alone and drawing on craft traditions, nomadic sculptor ektor garcia creates myriad fabric, metal, and ceramic works with communal import. By Glenn Adamson Feb 11, 2021 3:06 pm
Features Stitching the Social Fabric Tschabalala Self surveys Black American life in figurative paintings, textile collages, and sculptures. By Glenn Adamson Jan 8, 2021 11:34 am
Features A New Meaning for “We the People” Katy Grannan photographs diverse Americans wearing Kara Hamilton's politically fraught jewelry. By Glenn Adamson Oct 13, 2020 10:11 am
Features Hugh Hayden Crafts the Legacy of the African Diaspora The American sculptor uses tree limbs, bird feathers, and frying pans to reveal the complexity of a transatlantic Black identity. By Glenn Adamson Aug 11, 2020 1:57 pm
Features Kapwani Kiwanga Explores the Links Between Nature, Technology, and Racial Oppression In photos, installations, and performances the Paris-based Canadian artist offers ways to "work through" our postcolonial challenges. By Glenn Adamson Jul 30, 2020 3:23 pm
Features Experiencing the Shock of the Old, Fiber Artists Rediscover Shows Like MoMA’s Pivotal 1969 “Wall Hangings” Just as the American textile industry began its inexorable decline, artists like Lenore Tawney, Sheila Hicks, and Claire Zeisler decided to eschew the machine for other possibilities. By Glenn Adamson Jun 23, 2020 2:50 pm