Elizabeth Buhe

In the eleven photographs included in Rachel Granofsky's exhibition "House Hunting," quotidian objects like bedroom mirrors, ragged curtains, and cardboard boxes morph into visual puzzles that are…

Pink text snaked in tight, meandering rows across human figures in the fifty-one recent paintings on paper in Betty Tompkins's second solo exhibition at P.P.O.W.

The seventeen bold-hued, hard-edge oil paintings in Alice Tippit's second solo show at Nicelle Beauchene ricocheted between significations, thwarting any stable meaning.

The thirteen gouache paintings that Angela Heisch exhibited at 106 Green (all 2018 and on muslin over panel) suggest the aesthetics of 1970s interiors, slightly wonky architectural diagrams, and…

The title of "Claire Falkenstein: Matter in Motion" took its terms from the artist herself, who spoke freely of the energy that ricochets through the universe and animates matter.

Justine Hill exhibits an easy-seeming confidence, both in her exuberant facture and in her engagement with art history

Bochenska's work feels both of this world and outside it, bidding us to live an existence that more purposefully bridges the two.

Adkins often abstractly referred to historical and cultural figures from the African diaspora in his work.

The nine paintings on view (all but one from 2017) appropriate material from the everyday flow of circulated images, such as a New Yorker cartoon, a shot from a Fox News broadcast, and various brand…

When the legendary Ferus Gallery set up shop in Los Angeles in 1957, it didn't have much to its name but the collective ambition and dedication of its founders, artist Ed Kienholz and curator Walter…